I work across the full spectrum of audiovisual production: 3D modeling and photorealistic rendering on one side, video production and post-production on the other. As a Digital Animation Engineer and Multimedia Producer, I run projects end to end, whether that means building a scene from scratch in 3D or capturing and editing footage in the field. Real-time visualization is where 3D work feels most alive to me, there's something satisfying about watching a scene come together in front of a client instead of waiting hours for a frame to finish.

I'm just as comfortable on the technical side, untangling a broken hardware setup, fixing a stuck render pipeline, or solving whatever decided to break hours before a deadline. That puzzle-solving is usually what separates a project that ships on time from one that doesn't. I work well under pressure, and I like environments where the brief isn't fixed, clients change direction, priorities shift mid-project, and I'd rather adapt my visual strategy on the fly than force a rigid plan onto a moving target.